Mark Follman

In late August I returned to the archipelago of Haida Gwaii, a place whose ancient, complex culture and astonishing natural beauty are inextricable. Earlier this week, in the village of Old Massett, the renowned Haida artist Robert Davidson hosted an epic two-day celebration commemorating the totem pole he carved here 40 years ago. The pole was raised in the village on August 22, 1969, replanting a vital Haida tradition that had nearly disappeared by the end of the 19th century. It was a privilege and joy to attend the festivities and to participate in documenting them. Here are a few images I captured (please do not reproduce them without permission), though they only begin to suggest the layers of landscape, art and ceremony that were on display.

The many performers included singers, drummers and dancers from Skidegate:

Spruce-root woven and painted hats filled the community hall:

The Tsimshian group Git-hoan, or People of the Salmon, were among the guests invited to perform:

Eagle Transformation Mask, carved by Robert Davidson and danced publicly for the first time by the Rainbow Creek Dancers:

Robert Davidson’s 40-foot Bear Mother pole (partial view), raised in Old Massett in August 1969:

Despite devastation from decades of industrial logging, some majestic old trees still stand on Haida Gwaii. (Thanks to the tireless efforts of local advocates and defenders, the land increasingly has come under protection in recent years.) The temperate rain forests are home to towering cedar, hemlock and spruce:

Along the banks of the Yakoun River, near where K’iid K’iyaas, the legendary Golden Spruce stood until its untimely demise in 1997. Every year the salmon come back to this essential river artery of Haida Gwaii. At least for now.